传统面具
“罗刹”面具是斯里兰卡的传统面具,常用于传统舞蹈表演和仪式中。它描绘的是一个双眼凸出、舌头伸出、面目狰狞的恶魔形象。这些面具在斯里兰卡文化中扮演着重要的角色,象征着抵御邪灵、庇佑社区。
传统面具
桑尼面具是斯里兰卡传统的木制面具,用于宗教仪式表演中,以驱邪避病。这些面具雕刻精细,描绘了各种恶魔和精灵的形象。它们在斯里兰卡的文化遗产中扮演着重要的角色,象征着传统舞蹈中善恶的斗争。
传统面具
斯里兰卡的科拉姆面具是用于各种文化仪式和表演的传统木制面具。这些面具雕刻精细,色彩鲜艳,代表着不同的角色和神祇,例如恶魔、动物和民间英雄。它们具有重要的文化和宗教价值,展现了斯里兰卡丰富的艺术遗产。
Mudali Kolama (High official comedy)
The Mudali (high official of rural areas) who was appointed during the British Colonial era has inspired the creation of this Kolam (comedy) dance. The verse used for the Mudali Kolama (rural official comedy) is as follows :-
The mask of the Mudali (official) has been carved to display the arrogance and importance of a government official. Masks have been created with and without combs fitted to the head. Over the upper lip and round the two corners of the mouth was a moustache twisted and turned to two sides, and on two sides of the face are puffed up cheeks. By these mean an appearance of great dignity and importance is depicted. The mask of Mudali of the Ambalangoda, Hirewatte, Gunadasa dance troupe is square in shape, but in general this is not shown in other creation of dance troupes.
In colouring the mask some of them have been coloured white and some have been coloured yellow.
A man who comes behind the Mudali (official) is a man named Hencha (henchman) who holds a talipot a palm leaf over the Mudali head. In the Gonapola Balangoda kolam kuttama (comic dance troupe) the Henchman’s face is grey in colour and large pimple has been introduced, but in Ambalangoda Wijesuriya kolam kuttama (dance troupe) on the face of the Henchman a brown Jagalath Thoppiya (a comic hat) has been created. This face depicts the character of a person who is too loyal to the government and it too humble and cringing. The masks of these two characters are relevant to the governing class of today’s society.