传统面具
“罗刹”面具是斯里兰卡的传统面具,常用于传统舞蹈表演和仪式中。它描绘的是一个双眼凸出、舌头伸出、面目狰狞的恶魔形象。这些面具在斯里兰卡文化中扮演着重要的角色,象征着抵御邪灵、庇佑社区。
传统面具
桑尼面具是斯里兰卡传统的木制面具,用于宗教仪式表演中,以驱邪避病。这些面具雕刻精细,描绘了各种恶魔和精灵的形象。它们在斯里兰卡的文化遗产中扮演着重要的角色,象征着传统舞蹈中善恶的斗争。
传统面具
斯里兰卡的科拉姆面具是用于各种文化仪式和表演的传统木制面具。这些面具雕刻精细,色彩鲜艳,代表着不同的角色和神祇,例如恶魔、动物和民间英雄。它们具有重要的文化和宗教价值,展现了斯里兰卡丰富的艺术遗产。
Anabera kolama / Panikkala
The official announcement drum beaters Kolama (comic performance)
This character is known as the panikkalaya or panikkirala (barber or official baber). Although it is the chief duty of this person to beat the drum and spread various official announcements and orders, he is depicted as an old person. The drum beaters mask is created to show both the character and duties of the drummer.
For this purpose the information contained in the following poem has been utilized.
The mask maker has been very successful in cleverly depicting the aged decaying and aged appearance of the official drummer announcer. The mask should display and open mouth, spaces between teeth, drunkards’ eyes, a long beard and pointed teeth belonging to the official drummer announcer kolama(comedy). In the early period, in the official drummer announcement’s mask there was turban belonging to the face which was fixed round the head and face and was created out of wood, but today the turban is fitted only to the front of the face. This type is to be found in plenty today. There were two masks used for his two sons called Chukkiniyala and Dunguruwa, and in the Ambalangoda region, several sons with mask were introduced to the audience.